Following the exposure when blurs, distortions and factures appearing on the surface of the steadily declining raw material are becoming parts of the picture and the real photo is losing its form and getting connected to the elements of decay, a new aesthetic context is created.

What emotions are there when we let a picture (i.e. and object) and a moment (i.e. the past or the former present) go?

How do the different layers and parallels operate?